Churches which still retain west gallery
features or connections |
Alfriston,
St
Andrew |
Known as the Cathedral of the Downs,
this handsome flint church stands in the centre of the valley of the River
Cuck; it is cruciform, with a central tower and spire. It has a circular
churchyard, a Georgian Royal Arms, and a modern (1997) gallery over the west
entrance porch. See below . |
Arundel, St Nicholas |
Large church with Perpendicular
arcades. New west gallery constructed over church offices and vestry in about
1990. |
*Ashburnham, St James |
A family church next to Ashburnham
House, now a Christian Retreat Centre. Parkland adjoining was laid out by
Capability Brown, and lies at the centre of the Ashburnham Estate. It was
rebuilt in 1663-65 by John Ashburnham, except for the Tudor
tower, which is one of those built by the Pelham family in
the 15th C. The Commandments are unusual in
that they are painted on canvas in a carved wooden frame with white doves and
cherubs. Rare three-sided Communion rails.
There is a Jacobean painted and gilded iron screen, very
probably made by the estate blacksmith, Carolean staircase round three sides of
the tower leading to the west gallery, where now is situated the organ, and
complete 17th C. seating (although theses appear to have
been lowered at some time). There is documentary evidence that the gallery stair
was given in 1649. The gallery has been altered to fit.
The Ashburnham
family pew, in the south 'transept' is now the vestry. The Ashburnham
mausoleum, which forms the north 'transept', had sufficient places to include
the last remaining member of the family, but no more, and after she was placed
there, the mausoleum was finally sealed. # |
Boxgrove, St Mary & St Blaise |
The relic of an old Benedictine
Priory church, with choir and transepts only with what was the central tower.
Ruins of old nave. Choir is pure Early English (1235). Each transept has a high
oak gallery, similar to those in Spanish convents for lay members to hear Mass.
(CEPC) |
*Brightling,
St Thomas à Becket
|
TQ 683210. 13th and 14th C.
church with a Squire's pew (Mad Jack Fuller) and a
18th C. west gallery on Roman Doric columns, with a barrel organ, also given by Mad Jack, which
was refurbished in the year 2000. Mad Jack's pyramid tomb
in churchyard. # |
Chichester, St John |
Built in 1812-13, it is a
parallelogram rather than oblong in shape. Pure Georgian within, it is like the
proprietary chapels which once abounded in the Church of England. The
three-decker pulpit rises to a great height in front of the Communion table.
The lessons and services are read from the second tier; the sermon, for those
good at heights, is preached from the pulpit above which commands the
galleries. (W S Mitchell and John Betjeman in CEPC,
1958)
The chapel was built because there were insufficient
places for worship in existing parish churches; it differs little from
non-conformist chapels of the period . . . It is no longer in use, and has been
taken over by the Redundant Churches Fund. (Sussex Churches)
|
Chiddingly, The church has no known dedication
|
Church dates from the 13th, 14th and
15th centuries, and it has a tall stone spire, one of four in Sussex. The 17th
C. west gallery is used by the bellringers as the ringing chamber.
(No ref. in Pevsner or CEPC.) |
East Guldeford, St Mary |
The most easterly of all Sussex
churches, but still within the Diocese of Chichester. A brick church, which was
consecrated in 1505, built of brick on reclaimed marshland. It is a simple
rectangle in plan, with roof and windows altered in the 18th C. There are fine
box-pews, a high-sided family pew, a three (two?) -decker pulpit, tablets containing
the Ten Commandments and the Royal Arms of George IV. (Sussex Churches) |
Falmer, dedication not known |
This small church stands beside the
village pond in what originally was an estate village. It has a small west
gallery upon which the organ stands.. No further details known. |
Folkington, St Peter |
A small old, church, hidden on the
edge of woodland behind parkland. Flint walls with tiled roof, trussed and
raftered roof with tie-beams. 18th C. box-pews and pulpit, and two 17th C. wall
monuments in chancel. |
Frant, dedication not known. |
The church was built in 1819-22 and
is remarkable for the extensive use of iron in its construction. The windows,
piers of the arcades and the pillars supporting the west gallery are all of
iron. The gallery stretches across the entire nave and both aisles.
|
Glynde, St Mary the Virgin
|
One of the few churches in Sussex of
this date, it was built 1763-65 in Classical style for Richard Trevor, Bishop of
Durham, to designs by either Sir Thomas Robinson or Robert Trevor (Richard's
brother). It stands close to Glynde Place, and is rectangular in shape, chancel
and nave both being under one roof. It has box-pews and a west gallery,
although the screen behind the altar is Victorian and out of proportion to the
rest of the church. (CEPC) Only the stone belfry
shows that this is a church. |
Hastings, St Mary in the Castle |
Built by Sir Joseph Kay 1826-28,
this building has an Ionic portico, and opens to a semi-circular galleried
interior. |
Hove,
St Andrew
|
|
*Kirdford, St John the Baptist
|
Ringers' gallery rail of turned
balusters circa 1600. |
Lewes,
All Saints |
Now
the All Saints Arts and Youth Centre, the church has a 16th
century tower, a galleried nave built in 1806, and a
Victorian east end built in 1883. The Georgian
box-tombs in the churchyard have been well
restored.
|
Lewes,
St Anne |
At the head of the High Street this
flint-built church contains a small 18th C. minstrels' gallery at the west
end. |
Lewes, St John-sub-Castro |
A flint church with brick quoins
with galleries on three sides. |
Littlehampton, St Mary the Virgin |
A red-brick church built in the
Gothic style by Randolph Blacking in 1935. Although inauspicious externally,
the inside is elegant, well furnished, and contains galleries in the north and
south aisles as well as at the west end. The pulpit has a tester, and the Royal
Arms are of George IV. |
Milland, Tuxlith Chapel, Dedication
not known
|
SU
825283. Probably dating from the Norman period, this chapel
may have been replaced as the parish church in the early
14th century when the new church at Trotton was built. In
the 17th century a gallery was added, and although this was
removed at a later date the stone stairs by which access was
gained still remains outside. See this chapel on the
Friends of Friendless Churches web site at http://www.friendsoffriendlesschurches.org.uk/ |
Ninfield, St Mary the
Virgin
|
Saxon
church, mostly rebuilt in 13th C, chancel 17th C. 17th C. minstrels' gallery at west
end. Wavy balusters added 1923. The gallery was partitioned to provide the
ringing room for the bell turret above. A lower gallery was removed in
1885, when the upper gallery was also boarded up and the
timbers of the 14th C roof hidden by the Victorians.
Jacobean priest's prayer desk, James I Royal coat of arms,
"A sweet surprise, high up at the west end, with flat wavy balusters,
only accessible by using a ladder. It is assigned to the 17th C, but the
balusters are by Adrian G. Scott, 1923." (Pevsner.)
|
Pagham,
St Thomas -à-Becket
|
SZ
884975. The west gallery is 17th or 18th C. (Treasures of Sussex Churches)
|
Parham, St
Peter |
The church stands close by Parham
House and in its present form dates from the opening years of the 19th C.
Inside, many of the fittings still remain, including a room-like pew with its
own fireplace, built for Sir Cecil Bishop of Parham, who paid for the
reconstruction. The church has traces of 12th C work in the nave, altered and
extended in the 15th and 16th centuries. (Treasures of
Sussex Churches) |
Rodmell, dedication not known |
The west gallery is 17th or 18th C.
(Treasures of Sussex Churches) |
Rotherfield, St Denys |
The sandstone church has a tall
shingled spire, typical of many Sussex churches. Unspoilt after two
restorations in the past, it is furnished with deal box-pews throughout, and is
slightly raised at the west end. Elaborate Jacobean pulpit which came from the
Archbishop of York's private chapel. (CEPC) |
Rottingdean, St Margaret |
This mainly 13th C church has a west
gallery which supports the organ. In 1856 the restoration removed the
"unsightly wooden gallery, erected in 1818 along the north wall of the nave,
together with its outside staircase and doorway . . . " (Church Guide) |
Shermanbury, St Giles |
Rebuilt in the 'churchwarden' style
in Shermanbury Park in 1710, the interior remains unspoilt by restoration work.
The old pews had still, in 1958, the names of farms and manors painted on them,
and in a glass case at the west end were recorders (?) and a viol used by the
village quire. (CEPC) |
Singleton, St John the Evangelist
|
Saxon church originally, it retains
old pews and [an 18th C.] minstrels' gallery under the tower.
(CEPC) |
Stanmer
Village, Brighton, No known dedication
|
Church
built in 1838 by the 3rd Earl of Chichester to replace the
earlier and smaller ?14th C. church. West gallery of
that date. THIS CHURCH IS THREATENED WITH CLOSURE. |
Stopham,
St Mary the Virgin |
An
unusual three-cornered pew can be found near the lectern. |
Trotton, St George |
A 14th C. church with nave and
chancel under one roof, which contains some box-pews and Jacobean altar
rails. |
Twineham, St Peter |
The west gallery is 17th C, and is
used as a ringing room for the bellringers.
"Gallery in the tower
arch; elementary." (Pevsner.) |
Uckfield, Holy Cross
|
The west gallery is 18th
C. According to Pevsner, there are three
galleries. |
Upmarden,
St Michael |
The
chancel, approached through an attractive double pointed
arch is very plain, but its clear East window projects a
fine sense of lightness. Two rather ramshackle box pews are
found there where one would expect to find choir stalls. |
Warminghurst, Church
of the Holy Sepulchre |
A remote church, now in the care of
the Redundant Church Fund. It was built in the 13th C, but was extensively
"remodelled" in the 18th C and left subsequently left untouched by the
Victorians. Externally many of the windows were remodelled, including the
circular one under the belfry. Inside, all the 18th C fittings
remain (no gallery),
including a triple arch wooden screen that bears the Arms of Queen Anne.
(Sussex Churches) |
Warnham,
St Margaret |
Famous
for Michael Turner, master fiddler and choirmaster. His
manuscript gooks are in Chichester PRO. See his tombstone in
the churchyard. The church itself is heavily restored by the
Victorians. |
Wartling, St Mary Magdalene |
13th C
nave and chancel, much amended in the 14th and 15th C.
Timbered bell turret. A full set of box-pews,
with individual heating pipes. |
West Grinstead, St George |
|
West
Itchenor, St
Nicholas |
West
Gallery built as a Second World War Memorial.
|
Worth, St Nicholas |
This is the only Saxon cruciform
church which has an unaltered ground plan. The chancel arch, at 22 ft., is the
largest Saxon arch in England. The 17th C gallery at the west end was given in
memory of a former rector. The chancel was candle-lit, and there remain good
brass 'spiders', (a name still given in Sussex to the iron hooks suspended in
the centre of a ringing room for hitching bell-ropes on when not in use).
The gallery is dated 1610, and has vertically symmetrical balusters and
moulded rail. It is supported on two turned oak posts. The inscription on the
supporting beam records the name of Anthony Lynton, rector, who died 15 June
1610. |
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Churches which are known to have had west
gallery features or connections |
Aldingbourne,
, St Mary the
Virgin |
West gallery removed at the
Victorian "Restoration". Sign exists stating that gallery only to be used for
"Choir and Sunday School". |
*Alfriston, St
Andrew |
West gallery removed in 1887. Organ
installed 1859, replacing violin, five bassoons and clarinet. See
above. |
Arlington, St Pancras |
In very poor
state and restored sometime between 1889 and 1918. Gallery under tower, "from
which the old men who led the service were forced to retire in bad weather" was
taken down and the bell chamber (? ringing room) removed. (Guide Book) |
Ashurst, St Pancras |
The west gallery was still there in
a photo taken in 1877; there was extensive restoration in that year |
Barcombe, St Mary the Virgin |
Two
photographs in the possession of Tom Reeves (the grandson of Edward Reeves
of Lewes who was the earliest recorder of local scenes) show the external
gallery staircase. This was immediately to the west of the north porch. They
also show the dormer windows on north and south sides of the church which lit
the west gallery. Old box-pews and a two-decker pulpit used to exist, but were
removed in the 1878 "restoration". The old church guide contained a
reproduction of an earlier drawing of the interior from the west end before
restoration. The top section of the two-decker has been retrieved from
Arlington Church and now stands in the south aisle.
Known to have had a
bassoon in the quire. (McDermott 2) |
Beckley, All Saints |
Oldest
part of church is the base of the tower, ca. 1100. 13th C.
south aisle, chancel rebuilt in 14th C. The 1850s saw
a great "restoration".
Known to have had a west gallery quire through the
presence of a manuscript book which still survives in the
Sussex Archaeological Society Library in Lewes. |
Bosham, Holy Trinity |
The oldest seat of Christianity in
Sussex, it overlooks Chichester Harbour. Its Saxon tower has a shingled broach
spire. The west gallery was removed in the mid-19th C. |
Burpham, St Mary |
A blocked door from the tower stair
led to former west gallery. |
Cuckfield, Holy Trinity |
Known to have had a Quire,
because a manuscript book from there is now in the library of
Sussex Archaeological Society in Lewes. West Gallery
demolished about 1855.
|
Catsfield, St Laurence |
This small church once had a very active quire, their manuscript
books now being in the Library of the Sussex Archaeological Society in Lewes,
having been collected together from the Blackman family by Canon McDermott.
Extracts from the Quire Books have been printed by Sussed Harmony entitled
The
Singing Seat, and the music is sung by that quire. There used to be a
west gallery, the dormer windows for which can be seen in early prints. |
Eastbourne, St Mary |
The west gallery was removed in 1854
and a new large organ placed under the tower. |
Fletching, St Andrew & St Mary the Virgin
|
In the south transept was the
Wilson family gallery; an old photo shows an external flight of stone steps
which led to a doorway in the west wall. The Sheffield family gallery was in
the north aisle. |
Hastings, All Saints ?? |
Gallery in south aisle removed
1870. |
Old
Heathfield, All Saints |
14th C
church externally, a singing gallery added at west end in
1745, and in 1820 north and south galleries were also
built. The church census of 1851 shows an average
attendance of 180 people in the morning, and 300 in the
evening. All three galleries removed by the Victorians
in the 1890s. |
Ifield, West Crawley, St Margaret |
There is still a sideways pew or two
on the North side of the nave, with an organ at the West end of them, and there
is reference about it being for singers in the leaflet that's available for
visitors in the church. |
Lewes,
St Thomas à Becket
|
Over the
River Ouse bridge, this little church grew up outside the
town walls, and was originally a 12th C Chapel of Ease to
the Benedictine college of South Malling. Enlarged in
14th C and tower added in 15th C. Gothick porch. It used to contain
west and south galleries, but these were removed at some
point by the Victorians. Royal Arms of Elizabeth I and
George I. |
Lurgashall, St Mary |
Band
provided music until 1843 when the west gallery was removed. |
Piddinghoe, St John |
West gallery
removed 1882, at which time new organ replaced barrel organ
said to have been restored c. 1780.. Old barrel organ
still in church, no case or pipes.
See Article |
Ringmer, St Mary the Virgin |
Organ
gallery built in the 1930s. Preserved bassoon on the
wall of the church from the old village orchestra which is
known to have played from a west gallery prior to the
installation of an organ in 1856. |
Rye, St Mary the Virgin |
"Poor man's gallery" erected on
south side in late 16th C. At the end of the 18th C. a west gallery was built
for choir and musicians. It subsequently housed a barrel organ, then a pipe
organ. In 1811 a "tradesmen's gallery" was erected on the north side. Galleries
were all removed in the 1882 "restoration". |
Warbleton, St Mary |
EE
chancel, Decorated nave, Perpendicular tower. Squire's
private pew built in 1722, standing on legs and reached by
staircase. Underneath is a 13th C iron-bound parish
chest. |
Warnham, dedication
not known |
|
West Chiltington, dedication not known
|
The 17th C west and south galleries
were removed 1880. |
West Tarring, St
Andrew |
The Musicians' Gallery at the west
end of the church was removed in 1854. In the early
19th C an orchestra replaced the 18th C organ and there was a west gallery, but
new organs were installed in 1854 and 1863. A note at the time said
|
|
"Vicissitudes occurred in the musical
portion of the services . . . after the removal of the old 18th century organ,
the parishioners from time to time forming bands to supply its place. The
orchestra formed in the early part of the last century, consisting of
base-viols, bassoons, hautbois, and flutes, was not spoken of in very
flattering terms by . . . the then old inhabitants . . . although it appears to
have given satisfaction to the performers themselves; as on one occasion when
Henry Pelling . . . was conductor, he, at the end of an anthem, struck his
baton sharply on some part of the gallery, and shouted out 'Well done, my
lads.' This body was eventually broken up, and there was not any instrumental
music in the church for several years. Early in the 'thirties, James Newman . .
. formed a band consisting of himself as leader, clarionet; Thomas Binstead,
base viol; Charles Bushby, trombone; Charles Chipper, bassoon; Thomas Chipper,
bassoon; George Chipper, clarionet, and James Chipper, clarionet. This
orchestra of farm labourers, wearing pure white smock-frocks, together with the
choristers, then called the Psalm singers, who sang the Psalms of David as at
the end of the Book of Common Prayer, sat in the gallery, and continued in
existence down to within a few years of the restoration of the Church; when
this was completed in 1854, an organ was purchased and placed in the tower, a
choir formed . . . we sat in the tower, men, women, boys and girls, all singing
in unison . . . The organist being away on holiday, and having to sing without
musical accompaniment, we thought it a good opportunity to try, at least, one
hymn in four parts; the 'Old Hundredth' was selected for the first, and to be
sung when the Vicar went into the vestry to change his surplice for his gown,
in which to preach the sermon, as was the custom in those days. I was to blow
the key note with a 'pitch pipe'; this I did, and all took up and sustained
their parts well. The congregation turned round and faced us, en masse. The
Vicar came out of the vestry looking with astonishment, and as black
(metaphorically) as the gown he had just put on, and immediately dispatched his
clerk with a message for our lead, Henry Overington, to attend in the vestry at
the close of the service. Seeing that the Vicar was displeased with the
innovation, the hymn at the end of the service was, of course, sung in the
usual way. Our leader, as desired, went into the vestry, and the rest of the
choir awaited the verdict. On his return, he stated that the Vicar asked him
what we were singing, our leader said 'I told him we were singing the "Old
Hundredth" in four parts, and I thought it went very well'; the Vicar replied,
'I don't profess to know much about music, it might have gone very well, but
don't do it again.' Little clusters gathered together on their way home after
the service that day, discussing the merits and demerits of the singing. One
old man was heard to say to another, 'What was the matter with the singers
today then?' the other replied, 'I dun know, some was singen one toon and some
was singen another, and Edward Sayers was gwain to play some sort of
insterment, but he broke down fust noat.' So we continued in unison with our
singing, as well as with our Vicar, a few years longer. Harmony, however,
gradually crept in; the organ of 1854 gave way to a more modern instrument
placed in the chancel, where the choir now sit, and the musical portion of the
service may be considered in unison, as well as in harmony, with the times."
(Source ??) |
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Westmeston, St
Martin |
Norman nave and 14th C. porch. Much
mauled by the Victorians who destroyed much of the
previously existing wall paintings. in the 1860s
"restoration". Known to have3 been the home
of Mr Pennicott, whose portrait whilst playing the clarinet
in the church band existed until the early 20th C.
Whereabouts not known, but reproduction of it in
Macdermott's book on Sussex Church Bands (See Bibliography) |
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Chapels, etc., with west gallery
features or connections |
Alfriston,
St
Andrew |
|
Coolhurst,
The
Blue Idol Friends' Meeting House |
The oldest parts of the building are
thought to date back to at least 1580. Part of a
farmhouse, the timbers of the first floor were
removed from the two large store-rooms at the south
end in order to make room for a
suitable height for the Meeting House (3), and
at the same time leaving a gallery which was reached
by the small and narrow flight of stairs which then
continued to second floor level. |
Lewes,
Jireh Chapel
|
This was a
stronghold of the Calvinistic Independents The
building is constructed of red mathematical tiles hung on a
wooden frame, with chequered brickwork in places hung slates
and under a long slated roof. Restored in the
1990s.
The chapel has galleries on three side, the organ having
been removed from the central eastern gallery. There
are high-sided pews, and a central pulpit behind the table
at the west end. The only Grade I Listed building in Lewes. |
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Asterisks denote
churches in preparation
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